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rogers drum kit

Posts: 1597 Threads: 96
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I look at this analogy from the point of athletics and anything else that has evolved over time. For example, back in the early years of football, players wore very little protection....maybe a little leather, jock-strap for a helmet or so. As the game progressed and guy grew bigger and stronger, those cheesy helmets were no longer enough to protect. Soon, they became full face masks and harder material etc.....Now relate this to the evolution of music...from what was, to what is. Music is no longer light polka - boom-tat boom-tat boom-tat-tat-tat or a light big band swing. I'm even thinking of the traditional grip on the sticks with a pair of 7a's to the double fisted barbaric slamming with tree clubs. As the style and energy of the music evolved, so too did equipment drummers and other musicians, for that matter, used. I'm surely not knocking the nostalgic aspect of 'collecting' vintage gear, but to argue in its defense, 'quality and toughness' and to be so bold as to contend that it is better than todays stuff, is a little off the mark. Guys that were a part of the ever changing and evolving music scene moved away from the 'flimsier' swivo stuff, in favor of more reliable, durable, and tougher hardware. I have an inkling that Bonham would have ripped swivo spurs off a bass drum before he hit beat one of measure 12. To me, quality is relative to what you are using something for and comparing it to. To play your typical 'bar gig'.....even I'd be breaking swivo stuff and I don't play all that hard.So in sum, I beg to differ that most of this debate (and yeah I love to debate anyway) is in the name of nostalgia....leave quality and durability at home....unless and only unless....you want to compare the stuff to the stuff during that era. To todays hardware, it cannot compare period!

Ok i will agree with everything you say if you can just tell me how and why my swivo stuff does not work for the last 42 years? When i say hardware i am talking about tom holders not cymbal stands or snare stand etc,i will be the first to admit they make better ones now...i have sat at a pearl set and tried for 30 min to get the toms set right between two bass drums and could not get them where i wanted...DW stuff? i watched ginger baker at madison square garden last year every time he hit the floor toms they bounced for 5 min ,no thanks... the key to any hardware in my book is knowing how it works..and keeping it working correctly.

If you want swivo stuff to work correctly you have to clean it and keep the threads coated with a lubricant(i use vaseline) the collets are as smooth as butter and i do NOT have to over tighten them because they close down correctly... If you want the ball joints to hold ,then tighten one screw up against the wall then the other up against that and if the cups on the set screws get a bit dull recup them that is how they work...If you want pictures i will gladly show you what i mean.. anyway fun discussion ,i am still a swivo man.. peace play on..band2 D' Drummer

Posted on 17 years ago
#31
Posts: 5173 Threads: 188
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One quick point regarding the quality and durability of vintage gear...

The mere fact that it has lasted for 30, 40, 50 years or more and continues to function perfectly, is testament to not only its quality, but also to its durabilty. Yes Sir

I wonder if all of today's Taiwanese-built equipment will endure as well over a similar period of time. In any case, I can see no indication of any of my vintage gear breaking down anytime soon. Granted, I pack up and haul all my gear carefully. I respect my instruments and understand how they work. I think that philosophy could apply to any instrument's longevity. For example well-made basses and violins have lasted for hundreds of years when in the care of responsible owners....and those instruments seem quite delicate in comparison to most drums/drum hardware.Violin

"God is dead." -Nietzsche

"Nietzsche is dead." -God
Posted on 17 years ago
#32
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Quoted post

One quick point regarding the quality and durability of vintage gear...The mere fact that it has lasted for 30, 40, 50 years or more and continues to function perfectly, is testament to not only its quality, but also to its durabilty.

Beg to differ! It means you have taken great care of it, never used it much (like that old Corvette that sits covered in the garage), or rode it easily. It has very little to do with durability. I could have bought a ford Pinto or AMC Pacer....brand new off the lot, left the sticker on it and emptied the tanks and stored it and it would have been "Durable" and "Quality" - not even close.

There is a perfectly good explanation of why swivo stuff goes for a good price on ebay - even the broken stuff. You simply do not find it around much anymore. Not cuz people are hording it. Rather it has hit landfills years ago. The reason it commands a high dollar is not the fact that it is durable or quality. It is the fact that people like us want to use our old Rogers kits and need replacement coat hangers to hold the stuff and mount the items. Has ZERO to do with durability, quality, and let me throw in....ease of use.

Posted on 17 years ago
#33
Posts: 5173 Threads: 188
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If you know how to work on Corvettes and you know how to drive, then you shouldn't have any problems maintaining them.

Sure, I have taken good care of my gear. That's a lesson I got from my parents when I was a kid -"Take care of your things!" But, I, too watched Keith Moon destroy brand-new drums in short order...and I thought it looked cool and there was a part of me that wanted to act like that...but, in the end, I liked my drums too much! What can I say? I was the type of kid who was proud of my drums and I spent lots of time playing them and adjusting them...cleaning them...changing out the heads...tearing them down and packing them up -always carefully wrapping up the stands in towels and using liners with my old Fibre Cases (which I also still have and use to this day). If you could see my scrapbook, you would see the same drums...gig-after-gig-after-gig. You would see me growing up behind those drums...and I can show you how I have changed and gotten worn out...but also show you that the drums have hardly aged (it seems).

I ended up selling off the greater portion of my Rogers MemriLoc Big R "Ultra Power Seven" kit (double bass drums! -lol!) about ten years ago. They were in excellent to mint condition -after about 25 years of touring. They sold right away....and then about 5 years after I sold them, I saw them again at another music store -for sale again. They were beat-to-heck! It was really sad.

I have been playing vintage gear since before it was considered vintage gear!

One of the problematic things about our society today is that people have become conditioned to replace things instead of maintaining things. This attitude bodes well for manufacturing. The idea of maintaining vintage gear exists because drummers know that vintage-quality gear will never be produced by modern manufacturing methods -as it would be too expensive.

I can appreciate certain functional improvements with modern designs...but I also see how cheaply it is made.Soap Box :D

"God is dead." -Nietzsche

"Nietzsche is dead." -God
Posted on 17 years ago
#34
Posts: 299 Threads: 27
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Bill,

No offense but I think you are looking at this topic with a very pessimistic (sp?) additude. There are lots of good working pieces of swivo hardware that ARE durable and work well. Taking good care of something does matter but if you dont take care of that rack system then its going to break just like the swivo hardware right? IF you take care of that swivo hardware its going to work fine for, well not forever but for awhile. At least 40 years as many of them have. Your RIMS mounts and rack systems only really came along as a marketing "scam." Hardware worked and thats all it needed to do but if you go into how a shell will get more resonance by not drilling holes into it arnt you going to be looked at as THE Innovative company? In my opinon, yes you are and that means sales go UP. Seriousily are 4 little holes or one bigger one going to really matter? Drilling shells for mounting hardware had been working for 60-80 years and the drums sounded good! so why change? So I guess what I am trying to say is anything works if you take care of it and swivo hardware was innovative and is still working 40 years later.

Harrison
Posted on 17 years ago
#35
Posts: 299 Threads: 27
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Quoted post

It is the fact that people like us want to use our old Rogers kits and need replacement coat hangers to hold the stuff and mount the items. Has ZERO to do with durability, quality, and let me throw in....ease of use.

Well I have heard of microwaving radio kings and putting cymbals in the dishwasher but I have NEVER heard of using coat hangers to mount a tom. Thats just silly. :D Maybe you sold to many clothes and had a wierd idea but I have never seen anyone else use coat hangers. (Maybe we should talk to 1960's Rogers employees for details? Maybe they were 3/4" diameter COS coat hangers?) I would hang my toms on COS coat hangers Party

Also ease of use is another argument. Is it that easy to set up a rack system and than put all those dang clamps and stands and stuff on them or is it easier to set up cymbal stands and slide a tom on the coat hanger?

Considering the fact that, as O-Lugs stated, swivo has stood up for at least 40 years of damage THAT makes it durable. Also that makes it a QUALITY piece of coat hanger right?

Harrison
Posted on 17 years ago
#36
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Heh, I got a new rack today................

1 attachments
Rogers Drums Big R era 1975-1984 Dating Guide.
http://www.vintagedrumforum.com/showthread.php?t=24048
Posted on 17 years ago
#37
Posts: 2433 Threads: 483
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MICROWAVING RADIO KINGS??????....WHAT THE BLAZES FOR????Excited

??

Hit like you mean it!!
Posted on 17 years ago
#38
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The hardware is irrelevant, although some people like quick and easy setups, even back in the Vintage time, Ludwig Cymbal stands were light pretty sturdy and easy to set up.

The point is the sound is what makes vintage drums so special and the look of the drums at least to me.

I have fine new stuff but there's that sound, the tone from that era that is so special.....and not because many of us on this forum lived it.......

Those companies that are around today have tried to ressurect and duplicate that sound. Take a look at Ludwig's web site and how they are promting the fab four kit....or Slingerland who is trying to promote the re-creation of Radio King.......or what Yamaha intends to do with the "New Rogers"......good luck with that!!!!!

...and its not just in drums. There was real musical and craftsmanship creativity and genius back then.

Some of the hardware today I must admit is pretty cool although you might need an entire road crew to set it up, but honestly the sound of the drums to me falls miserably short for most of the manufacturers.

To me vintage is vintage because it sounds great and plays great!

Posted on 17 years ago
#39
Posts: 2433 Threads: 483
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scovit...you make some good points but "falls miserably short" is where i disagree.I own a 50,s Sling and a 70 Sonor kit that are so sweet sounding BUT i,VE also heard some new drums that sound quite good.Im not talking about mic,d situations,just plain old off the floor acoustically.Remember these high end drums today are tomorrows Vintage gear,which makes my stuff antiques if its still together in 25 years

Hit like you mean it!!
Posted on 17 years ago
#40
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