Now, you're doing what (in my opinion) you ought to be doing with these beautiful drums. Experimenting with drum heads and how they are dampened and tensioned can probably get you closer to the sound that you think you want. I also noticed that, when you had the tom on a snare stand, it was positioned very similarly than if it had been on the rail.
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My New Leedy
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No matter how far you push the envelope, it is still stationery.
Posted on 5 years ago
#11
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Look just keep playing you do
More than I do I’m a ghost
Now a days of my former self
Gary
April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp
once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp
once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 5 years ago
#12
Posts: 5240
Threads: 1231
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Did a little photo shop on the kit.
Posted on 5 years ago
#13
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