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From JSdrums

I just saw a drummer play a '61 Ludwig with Coated Diplomat batters with clear Pinstripe resos. I thought the combo was weird at first glance, but they sounded really nice; very punchy, but with a certain crispness.

I can't say I've ever played a coated diplomat before. Sounds interesting.

I got hooked on Suede Ambassadors 6 months ago. They feel and sound great to me. Clear Ambassador resos.

Posted on 8 years ago
#11
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I have experimented extensively on this subject. I've come to a clear conclusion; each drum has a "sweet spot", both in tuning and head combination.

You can make inexpensive drums sound great, you can make expensive drums sound horrible! Finding it can be an arduous task.

I've built a system. First, the shell configuration, maple ply drums sound better with clear resonant heads and coated batters. It's an open sound with projection. Birch drums sound warm with coated resos and coated batters. This is a general starting point. For example, a maple mounted Tom with a clear resonant and clear batter may sound great, while the matching floor tom sounds good with a coated batter head.

Then there's the tuning. Same pitch both heads is where I start. That gives you a starting point to deviate from to find the spot.

It's an exhaustive subject quite frankly. Bottom line, if you're not happy with the sound of your drums, try a head and or tuning change. You'll be surprised at what you might find out!

Drum Kits
1965 Ludwig Clubdate Oyster Blue
1966 Ludwig Clubdate Oyster Black
1969 Ludwig BB Blue Oyster Keystone Clubdate
1971 Ludwig BB Black Oyster
Early 60's Camco Oaklawns Champagne Sparkle
Posted on 8 years ago
#12
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thanks guys i appreciate your thoughts

Posted on 8 years ago
#13
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