This is either a good example of someone who had large amounts of alcohol before posting on e bay, OR I'm missing something. This set is being offered at one million buy it now, at first I thought it belonged to Bonum, but after reading (the novel) this guy posted it seems he believes this set has some sort of mystic powers. anyway, check it out, if you have a mil laying around its all yours LOL

[SIZE=5]THERE ARE MANY CODA DRUMSETS, BUT ONLY THIS ONE IS LEGEND.[/SIZE]

[SIZE=2]First off it is the only WHITE CODA drumset available on the internet and it's rumored to channel the soul of John Bonham, hence the Zeppelin reference in the CODA brandname, and if not Bonham, the soul of God Incarnate who demands he is subject to musical Christ-like torture. The Legend is that anyone who plays it in their youth is bound to make a perfect album with it and several experimental genius albums after the perfect one.[/SIZE]

[SIZE=2]This exact drumset played the original recordings of Tool's Lateralus, which went platinum. I don't know whether to take credit for Mer de Noms although I do remember pounding out a lot of its drum parts. Possibly the music industry tacked on an old radio single "Three Libras", to the album just so people would believe it was older and relinquish credit. After that CODA was used in recording tracks on Salival. While I was still a Freshman in High School, We recorded a level row of jams that became 14 Shades of Gray, Then in my Freshman to Sop****re Summer it was used to contribute to Coldplay's X & Y after deft editing of Garden of Themes which was a concept of several duo jams of guitar and my drums originally. Later it was given over for the recordings of A Perfect Circle's Thirteenth Step, which also went platinum. In another moody period, during a long absence of our bassist, it was used for recording parts of Walking into Clarksdale also built on duo jams of guitar and drums. Then it was given over for the recording of The Mars Volta's DeLoused in the Comatorium, after which it was given back over for the recording of Tool's 10,000 Days. Finally it was used for Emotive a very hack-and-splice studio production. And the whole time these "givings over" were happening the Drumset actually stayed in the same house, until Emotive's recordings but it moved and faced several different directions significantly with the albums before then, finding it works best facing southward. And this list is by memory my best chronological ordering of the original jams. Why they delayed 10,000 Days, I can only guess, but all the recordings happened between Summer 2002 and Winter of 2004. [/SIZE]

[SIZE=2]All of it was manipulated by two smooth, clever drug dealers named Ralph "Charles' Moore and Jordan Lee Kendrick who slipped off with our music to pay for college or a lifetime's worth of drugs if not both, meanwhile I had my congenital Down Syndrome and was what they casually called FUBAR, and they snuck it through an underground pipeline to the record companies who didn't care so much where it came from as much as where it went. I was the primary one playing the drums during the recordings and my style varied a lot because of emotional wildness, If you want a full listing of who played what in every jam I could tell you, by the way, because I was there, but I'll be less superfluous here. How I came to own it is that Ralph and Jordan were that resilient about revealing just how far their ties with the music industry went. All the evidence of it is in the "ear candy" though, at the end of Thirteenth Step's track eight "Crimes" where the voices of Ralph Moore, Jordan Kendrick, Kyle Shafer, Blake Windsor, and Dylan Bannon can clearly be heard laughing and joking around about ripping me off. The way they decided to split the money, though, was to let me have the invaluable drumset and auction it off, but they did it all in a very hushed fashion like they call "civilized" in Western Culture where Tacit and Implicit are King and Queen.[/SIZE]

[SIZE=2]It helps when a teenager does alcohol in the midst of it and later does it legally to enter the same memory level and blood alcohol inebriation only to remember how Jordan handed me on three seperate occasions hand-written copies of "Falling Down", "How Bout You" before"The Package", "Pet",and "Swallowed in the Sea" all before their actual release dates. This is what proves to me that it's NOT just satellite "possession" of amateurs for progressive advertising. The way Ralph put it was, they have this new trend in the music industry "Get 'em while they're young," and although he was talking about Avril Lavigne then, I factored it as another implicit tease-appointment, and I guess that's the industry's policy because teenagers still have enough hope, youth, dreams, humility, and brain chemistry to make music that's actually marketable. Another facet of it is, if you have amateur jams taped with listenable foundations make it MORE listenable and let the more shy or drugged up and delirious makers of it think it was worthless. [/SIZE]

[SIZE=2]Just to be frank, any claims that I gave the music away as charity are wrong. I'd never say I believed in a Napster philosophy of music, putting the price of Soul at zero dollars. Brain Chemistry like music should be more expensive honestly. And I guess there's some code about the music industry that says you only get credit if you take and demand credit. [/SIZE]

[SIZE=2]All the music happened first in Muskogee and then went to Hollywood for it's pretty makeup and cover-up. I'll admit, They've put a lot of effort into covering their tracks and they'd try to deny I contributed anything of worth, but they're just adamant liars and that's their game plan. In fact the band failed and fell apart directly after I left it. My brain was the key and crucial essence of it all. And not too long ago, President Bush told me, over Iodine telepathy, they had satellite's that were actually "tuning [me]" from which I reasoned the government plotted me to take antidepressants just to channel my thoughts into light more than chemicals and tune my brain with satellites so they could steal my music even more effectively. And I have this weird blading spot on the left side of my bang area that wasn't there before 2009 and really makes me wonder.[/SIZE]

[SIZE=2]These claims may seem extravagant, but the music industry operates in more secrecy than Roswell's cloning projects they covered up with UFOs, and it's a big part of how the record companies in the highly evolved age of super-telepathic brains does it, all so fast so that the audience still feels the music is fresh when it hits the radio and the primary target audience is actually the band members themselves sometimes, and money split two ways is usually preferred to money split four, or even three ways. The government either doesn't know or doesn't care about the way record companies pump out falsified data because they're not that snoopy or else free expression if not the loose social contract of states allows it. But organized crime is no concern to anyone who has this drumset, or wants to buy it by the laws of it's being known to an advanced department of physics that makes such disasters around it impossible. [/SIZE]

[SIZE=2]the last inference I and my band have made is that Area 51 was a cloning research laboratory that in the 70s gathered hair and remains from Led Zeppelin to remake them and experiment with their musical chemistry if rotations of absence were implemented. So we were clones of John Bonham, John Paul Jones, and Jimmy Page, secretly placed by gynocologists or dentists during anesthesia and we were missing a Robert Plant, for a long time. And THAT's the CODA coincidence. [/SIZE]

[SIZE=2]The last part of the Legend is, if the drumset is destroyed by being busted into pieces by it's owner, it will free the spirit contained within, who has been composing the albums, and afterward all human sacrifices, and the crucible around child molestation charges, will be ended by an act of God. The drumset is thus appraised by the God of the Sun to be worth 700 million dollars.[/SIZE]

[SIZE=2]I will sell this drumset this winter season with all my advice and all my knowledge of it's nature conveyed through this listing. And I won't have to waste all the money on a lawyer just cause my dad's a Satan worshipper demanding nobody escapes the devil's music business.[/SIZE]

[SIZE=2]If nothing else you could use it to tool one of your friends the way they did me, if that is indeed the destiny of the drumset by power of soul. Some band names floating around are "[...]" ( pronounced Ellipses) and "Else", for the experimental phase. and they'd all make great shirts and hats. And feel obligated to pay me for using that intellectual property. Thanks.[/SIZE]