I've only owned one drum set in my life, so that kit will certainly be my 'keeper' set.

I bought the 'previously owned' set in the late 70's and added a few items in the first few years of owning it. It did go into storage mode when I had to join the work-a-day world for 30+ years. After retiring a few years ago I rented a nearby (walkable distance) rehearsal space and broke the kit out and started practicing again.

It started out as a JHB configuration (26", 18" 16" 14") in black Cortex. The seller also had a set of concert/melodic toms in 6", 8", 10", 12", 13" 14" 15", 16" toms, so I bought those as well, 'cause more is better right!!! Within a short time of aquiring the setm I added another 26" (virgin) bass, and 12" + 13" double-headed toms and settled on a 2x26", 18", 16" 13", 12" configuration. Shortsightly, I sold the 6", 8", 10", 12" and only have the large set of 4 concert toms. I have a set of Paiste 2002's I accumulated over the first few years of owning the kit, which are a mix of black and red stamps: 14" S.E., 18", 20" Crash; 16", 18", 20" Medium, 22" Ride, 22" China Type; plus a pair of 602 Extra Heavy HH's and a 8" Rude splash.

I would be lost behind such a large drum set. I applaud you for being able to play them.

My Forever Kit is these Ludwig Standards I just bought a couple of weeks ago. 20 14 12 in Silver Mist. I had been looking for a silver sparkle Downbeat, but the cost +shipping (I'm in Toronto) plus scarceness...and after awhile of going back to look at the Standards the mist grew on me until I liked it better than the sparkle :)

I added a rail mount and was extremely pleased to discover that a hunch I had was right - Rogers spur plates fit snugly in the existing BD spur holes, with about 15 seconds of light filing to open up the tops. I consider this a massive upgrade as the Ludwig disappearing spurs were not capable of holding the front of the BD off the ground.

It's a little late as I'm now 60, but the forever kit has finally arrived. :)

1969 red sparkle Jazzette...just because of everything that evolved to put me in the position of getting it...the stories behind what led up to it...kind of the pinnacle of my collection.

Having said that....the Jazzette is kind of a one trick pony and is more limited in its tuning range.

The most fun kit to play that I own is easily the Arbiter AT kit. But you said only ONE...so it's the Jazzette.

This is great to know, thanks!

I am seriously considering letting my blue kit go. It's worth more than anything else I own, and it's not getting much use.

I may then add my dream green sparkle round badge Gretsch kit, but certainly in the gap (assuming I do this), the black bop kit will be the keeper.

That's a tough one...either my late '40's WFL kit or my '60's Oyster Blue Pearl kit.

The WFL kit is 13/16/24 - the 24x14 is just awesome. Plus this kit has a bit more of something in those shells and they just sing and sound big all around.

The Oyster Blue Pearl kit because it's absolutely my favorite wrap of that era. This kit has 13/16 and a 22x12 (New Yorker) pre-serial badge bass drum - it's got some serious sound for it's narrow size. I've also got a matching 5.5x14 WFL Super Classic snare that matches perfectly. The entire kit has no fading as I found out when removing all the lugs to clean it. I haven't found, or seen, an Oyster Blue Pearl kit in this condition since I've owned these. I also haven't seen an Oyster Blue 22x12 bass drum.

The same goes for the WFL snare - I've only seen one 13x9 WFL and one 22x14 WFL in Oyster Blue - both having the same date stamp as my snare. Both the 13 and 22 were faded and pretty beat up with extra holes, etc.

Wow, that IS a tough one! Both sets are beauties.

You're entirely welcome sir. I couldn't wait to share the news with anyone who'd listen! :)

Beautiful drum sets in the thread so far.