Only Admins can see this message.
Data Transition still in progress. Some functionality may be limited until the process is complete.
Processing Attachment, Gallery - 186.17954%

You can make any drum sound good

Loading...

Or can you? Do you think any drum can be made to sound good? I hear people say this and I was always skeptical until I played a gig at an outdoor biker rally a few years ago, we were the third of three bands before the headliner and we were told that the sound guy had provided a back line kit for the openers. I'm always skeptical and since the gig was in driving distance I figured I'd bring a little more than usual, just in case the stuff was crap.

To my surprise when I got there the drums sounded great! I was really amazed, I couldnt tell what kind of kit it was at first but I could see that the 13" tom didn't exactly match the color of the other drums.

After closer inspection I saw a badge on one drum, it was an old (possibly 60's/70's) cb-700, the mismatched tom was a pearl president (I think), the bass drum had some replacement lugs, which didn't match, and the thing had cracks in the wrap with clear packing tape holding it down, the snare was a 70s or so Ludwig supersensitive.

The kit sounded great, through the system but when I got on the kit it sounded awsome live.

I was amazed and credit it to good heads, great tunning, and some tweaking. (and a great snare)

I think maybe you can make almost anything sound good. Maybe not in a studio but definitely live.

What do you think?

1958 Gretsch Kit
1966 Kent Kit
1969 Ludwig Standard Kit
1970 Rogers Power Tone Kit
1970's Ludwig Vistalite Kit
1994 Yamaha Maple Custom
2010 Yamaha Maple Custom
28 assorted snares (including some real crap)
and 1 really nice K Zildjian Istanbul
Posted on 15 years ago
#1
Loading...

I heard that many times, that white the proper heads and mostly a¨fine tuning¨ almost every drums can sound good,and i think it's true, most of the time... but if he (the sound man or the drum tech) can make a CB-700 sound reeeally good, can you imagine what he can do whit an old American 3 ply shell drums, who's got those ¨magic tones ¨ that we all dream about?...Mind Blowi

Posted on 15 years ago
#2
Loading...

To my ears, it's usually that a drum can sound horrible live and good through a good system or PA, if treated properly. Live it's still is a dog.

www.bobbyboyddrums.com
Posted on 15 years ago
#3
Loading...

Yep! sometimes , soundmans can do miracles... but personnally i think that a drum kit have to sound good (with the band) right on the stage, fIRST.

Posted on 15 years ago
#4
Loading...

I've owned some drums in the past that were VERY hard to get a good sound from. That said, a good player can still work magic from crappy drums and cymbals.

Norm

1964 Slingerland Stage Band in Black Diamond Pearl
Posted on 15 years ago
#5
Loading...

Of course, great drums will always sound great when tuned properly.

When parents of potential drummers ask me for purchasing hints, I tell them they can make up for not-so-great drums with good heads and careful tuning. But I always recommend spending as much on cymbals as they can afford. A bad drum can sound good, but a bad cymbal will always sound bad ... and will drive them crazy after a few months of hearing their kid practice.

When we go to the music store, I A-B high-end Zildjians, Sabians, and Paistes with their respective student models and even non-musicians can tell the difference.

9x Slingerland New Rock 50N 12-13-16-22 with 170 (Super S-O-M) holder
• 1979 Oak
• 1978 Blakrome + 6.5x14 TDR SD
• 1977 Black Diamond Pearl + 5x14 SD (gold badge, Rapid strainer)
• 1976 Black Cordova
• 1975 Silver Sparkle + 5x14 SD (Rapid strainer)
• 1974 Chrome + 5x14 COB TDR and 6.5x14 COW Zoomatic SDs
• 1973 Purple Sparkle
• 1973 Phantom (clear)
• 1971 Walnut (gold badges) + 5x14 TDR SD
1x Rogers Powertone Londoner V 12-13-16-22
• 1972 Butcher Block + 1979 big R Dynasonic SD
Posted on 15 years ago
#6
Loading...

I got a friend who is a drum hoarder. He pick ups any shell,any can,any tube and transform them in to drums (oil containers, Carboard containers, paint cans, etc,etc) . There is no replacements for drum parts in Chile. No store carries lugs,hoops,or rods down there, Sometimes is hard to find heads!

Well, he fabricates wood hoops, wood lugs and sometimes wood stands for himself...he use the rope principle a lot (so he doesnt need actual lugs...)

You guys should hear how his drum sound...he put special effort on the bearing edges and snare beds...He builts snares made of fishing lines! Once he manage it to add sand beach to a head! He is AMAZING!!!! His name? Ismael Troncoso

http://www.vintagedrumbug.com/
Cause you got the bug dont'cha?
https://www.facebook.com/VintageDrumBug
https://twitter.com/VintageDrumBug
Posted on 15 years ago
#7
Posts: 5176 Threads: 188
Loading...

I am a believer that any drum set in good hands can sound good. In fact, even a drum sound that is deemed "bad" by today's standards still sounds "good" to my ear. Example is Steve Gadd and his Yamaha Recording Custom kit with Evans Hydrolic heads! But STEVE! What can you say?

All kinds of examples of cool drum beats being played on what amounted to cardboard boxes.

I'll put it like this: I have heard drummers playing some of the most outrageously expensive drums on the market and yet they can't make them sound good because they are limited in their understanding of playing. And then, conversely, I have seen some of the most horrible drums ever sound great when applied to the music properly.

I have seen jam sessions where several drummers will alternately play the same drum set and none of them get the same sound. Weird, huh?

The thing about "good" and "bad" is that those terms change for each person -much the same way that "beautiful" and "ugly" take on different perspectives.

We all have gone into the drum shop and walked past a kit on the floor and given it the finger tap on the floor tom to see how long it sustains....right? Somehow, if the floor tom sustains forever and a day, we think, "Wow! That's a good-sounding floor tom!" But, then in application with a band, those drums get moon gel, tape, special drumheads, etc.

everyone is searching for that "best" sound and yet nobody knows just exactly what that sound is!:Santa:

Here is one of my favorite drummers (Jon Falt) and check out his cymbals, stands and drums!

[ame]http://www.youtube.com/watch?v=gfvB4QW73lo&feature=related[/ame]

"God is dead." -Nietzsche

"Nietzsche is dead." -God
Posted on 15 years ago
#8
Loading...

Wow I really like this trio, the drums and cymbals sound great, interesting and unique, what's the name of that tune, or better yet which album would you recommend I begin with in accumulating some of their music.

I went to Itunes and found albums from 1998 - 2005.

Any suggestions?

1958 Gretsch Kit
1966 Kent Kit
1969 Ludwig Standard Kit
1970 Rogers Power Tone Kit
1970's Ludwig Vistalite Kit
1994 Yamaha Maple Custom
2010 Yamaha Maple Custom
28 assorted snares (including some real crap)
and 1 really nice K Zildjian Istanbul
Posted on 15 years ago
#9
Posts: 5176 Threads: 188
Loading...

YES! I love that trio, too! I recommend you get the one called "Serenity" -except the drummer is Jon Christensen on that one. Jon Falt (the drummer in the video) is on Stenson's latest called "Cantando" -which I haven't heard yet. I have only learned about Jon Falt's drumming via YouTube. But, if you like this kind of vibe, you can't go wrong with any of Bobo Stenson's stuff. Also check out a piano player from England named John Taylor. I'll post a video in the video section of the forum so that you can check it out.

"God is dead." -Nietzsche

"Nietzsche is dead." -God
Posted on 15 years ago
#10
  • Share
  • Report
Action Another action Something else here