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Which Trade Would You Take

Posts: 5240 Threads: 1231

I have two trade offers for my Ludwig wmp kit, I can't decide if I should take one or pass on both of them.

1 Gretsch Renown Maple in an inca gold laquer finish, 10,12,14,20 with matching snare, vintage Paiste 602 hats and $200.

2 Rogers Cleveland era 9x13, 5ply, 14x22, 3ply in a silver glass glitter finish and a 6.5x14 WFL Contest Model Concert snare.

Posted on 5 years ago
#1
Posts: 5550 Threads: 576

From johnnyringo

I have two trade offers for my Ludwig wmp kit, I can't decide if I should take one or pass on both of them.1 Gretsch Renown Maple in an inca gold laquer finish, 10,12,14,20 with matching snare, vintage Paiste 602 hats and $200.2 Rogers Cleveland era 9x13, 5ply, 14x22, 3ply in a silver glass glitter finish and a 6.5x14 WFL Contest Model Concert snare.

i like the 602’s

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 5 years ago
#2
Posts: 5240 Threads: 1231

So, you like trade number one?

Posted on 5 years ago
#3
Posts: 771 Threads: 132

I wouldn't trade the sweet WMP you have for any of those options

Keep fixing them up...
Posted on 5 years ago
#4
Posts: 876 Threads: 77

From drumfx

I wouldn't trade the sweet WMP you have for any of those options

Agree with DFX - I'd keep the Ludwig kit.

While I am a Gretsch guy, the kit being offered (IMHO) isn't comparable and you may hunt for a while for matching wraps to complete the Rogers kit.

If you do decide to go for the Rogers kit, I would be interested in the WFL snare if you don't want to keep it.

Good luck with the dilemma

Michael

No Guru - I just love collecting & learning about vintage drums!

Some of my favorites from the kits in the collection
58 WFL New Yorker Blue Sparkle
67 Ludwig Hollywood Red Psychedelic
69 Ludwig Standard Red Ruby Strata
70's Ludwig BOP "Ringo" Kit

A few of my favorite snares
20's Leedy Black Elite
51 Leedy & Ludwig Knob Tension
58 WFL Buddy Rich Classic Blue Sparkle
63 Walberg & Auge Sea Blue Agave Green Pearl
66 Leedy Shelly Manne Blue Agate Pearl
Posted on 5 years ago
#5
Posts: 404 Threads: 23

Keep the Ludwig's. And that comes from a Rogers nut.

John/Levelpebble

Tama Superstar 81 Aqua bop
Rogers Cleveland BDP (x2), Silver bop, Champagne, Black/Gold Duco, WMP, Blue sparkle; Dayton Red Onyx;
Camco Oaklawn 12 14 20 5x14 Tuxedo WMP
LW 59 SC Blue Sparkle, WMP
WFL Gold Sparkle SC, WMP Compacto
Gretsch 49/50 Broadkaster WMP
Fibes Copper Forte
Remo MasterEdge Bop, Gold Crown, Mondo
Slingerland Conway Black Satin
70's MIJ Del Ray, my first and fav ok I'm lying here
Way Too Many Snares, She Says
Posted on 5 years ago
#6
Posts: 5240 Threads: 1231

Thanks guys, I appreciate the help. The only reason I'm even thinking about one of these trades is because of the Ludwig being a pieced together kit, I don't have a lot invested in them and I like trading drums.

That being said, I understand why most of you think I should keep the Ludwigs.

Posted on 5 years ago
#7
Posts: 5550 Threads: 576

Jr you could always keep the wmp

kit and buy another

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 5 years ago
#8
Posts: 5240 Threads: 1231

I could if I had the cash and I wanted three kits. Contrary to what some may think, I'm not really a gear guy, meaning I don't like having more than I need. I have two kits and three snares, one kit stays in my rehearsal room and one I gig with. The three snares are from different eras, a pre-serial number Pioneer, a 70's supra and a Classic Maple from the 90's. That's more than enough I need to get the job done.

I'm sure some of you question my obsession with trading drums and that's ok.

Posted on 5 years ago
#9
Posts: 5550 Threads: 576

At least your a working drummer I envy that

As I am a once was too old , but still love the stage !

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 5 years ago
#10
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