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What's More Important To You

Posts: 5550 Threads: 576

So as to cost like my wmp 64 super classic in museum comdition with hardware and pies I paid the premium so I can just dust a little and play that's the point right ! And the side bar they are like money on the bank

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 8 years ago
#11
Posts: 3088 Threads: 326

I'm with Ploughman. I want all aspects and these days I just pay what is necessary to get it (within reason of course). The annoying part is that you have to be patient, waive all the lesser opportunities, as interesting as they may appear, and save your bucks for when the right occasion shows up.

Posted on 8 years ago
#12
Posts: 1113 Threads: 60

For me it's totally the sound. About 8 years ago, I discovered spun fiberglass drums, and I've never looked back. I found my sound in these drums. But, I've also built great looking drums, so I have the best of both worlds.

"Failing to prepare, is preparing to fail". John Wooden

Blaemire / Jenkins-Martin drums.

http://www.jenkinsmartindrums.com/
Posted on 8 years ago
#13
Posts: 138 Threads: 17

From jaghog

So as to cost like my wmp 64 super classic in museum comdition with hardware and pies I paid the premium so I can just dust a little and play that's the point right ! And the side bar they are like money on the bank

I really hate the term,"museum condition" when referring to drums. Are we talking about drums or the Mona Lisa? Maybe I'm in the minority around here, but my passion and pleasure comes from creating music on the instrument. Drums are just a tool to express myself. It's what differentiates me from the average joe.

Posted on 8 years ago
#14
Posts: 5240 Threads: 1231

From Spartacus

I really hate the term,"museum condition" when referring to drums. Are we talking about drums or the Mona Lisa? Maybe I'm in the minority around here, but my passion and pleasure comes from creating music on the instrument. Drums are just a tool to express myself. It's what differentiates me from the average joe.

I agree with you 110%!

Posted on 8 years ago
#15
Posts: 622 Threads: 24

I like having the whole package, sound, look, the lot! Don't always get it, but we keep searchin'...

Posted on 8 years ago
#16
Posts: 5550 Threads: 576

well maybe i used a term that does not fit, but considering all the junk out here , what would you call this kit ?

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April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 8 years ago
#17
Posts: 622 Threads: 24

From jaghog

well maybe i used a term that does not fit, but considering all the junk out here , what would you call this kit ?

I would call that kit Chauncey. Or maybe Edgar.

"There's something you don't see everyday, Chauncey..."

"What's that, Edgar?"

Rocky and Bullwinkle. Love it. Love the kit too!

Posted on 8 years ago
#18
Posts: 10714 Threads: 579

The most important thing to me is a good priced, good looking, name brand drum kit, that's all original. :2Cents:

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 8 years ago
#19
Posts: 668 Threads: 39

That is a beautiful drum set Gary. I would call it mint.

Posted on 8 years ago
#20
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