I have a 22" that I put 6 rivets in. I really like it! It has a cool Art Blakey type vibe and is fairly dry. I also had owned an 18" in the past. Pretty dry, nice trashier crash like mlayton said. Prior to the links above, the only stamp I had ever seen on any of the Supers was this (From my 22"):
[IMG]http://i16.photobucket.com/albums/b12/vyacheslav13/th_Super1.jpg[/IMG]
No mention of Paiste on the stamp, but I am assuming Paiste made it, because who else makes cymbals in Switzerland?
My 22" has a great patina on the top especially. I had left it (top side down) on top of a cymbal bag on the floor of my basement before I REALLY waterproofed it (I would on rare occasion get tiny amounts of water prior to that). Well, it was a cheap cymbal bag that was a throw-in on an ebay deal, and the cymbal bag got damp, and therfore my 22" got damp. I didn't notice it for a few days. It was like leaving it on a damp sponge for a few days. It has a real brownish-green color now that's very uneven, and it looks very cool; very unique. It doesn't affect the sound at all, but it is one cool looking cymbal. I don't even know how the "finger smears" got in there, but it looks like a very expensive "custom" cymbal now!
These cymbals are very smooth with no tonal grooves, and are very easy to polish up like new. I never will of course.
[IMG]http://i16.photobucket.com/albums/b12/vyacheslav13/th_Super2.jpg[/IMG]
[IMG]http://i16.photobucket.com/albums/b12/vyacheslav13/th_Super3.jpg[/IMG]