Well, so far I've jumped in the water here with my stencil kits (Astro and Royalstar) as well as one of my vintage snare drums (Ludwig). For me, the pinnacle of drum sounds, THE sound that I feel best represents the musical statements I wish to make are Yamaha Recording Custom drums.
It all started with Gadd and Newmark, then progressed through a number of players in the 80's, 90's and 2000's. Tony Thomspon, Larry Mullen Jr., Manu Katche, Mike Bordin, Carter Beauford, Marc Slutsky of the group Splender, William Ellis of the group Blue Merle, the list could keep going...
It wasn't always necessarily what these players played or how they approached the music (although I know it certainly factors in) that got me. Rather, it was the actual sound of the drums they were getting that always blew me away. I believe that much like round badge Gretsch drums or vintage Ludwig drums have an identifiable sound, so too do Recording Customs have an identifiable sound, specifically the toms and bass drums.
I own two Recording Custom sets at this time. One is a newer Cherrywood stain 13-16ft-22 in standard depths (pretty rare find) and the other is the set that I am going to share with you today, a mid/late 80's white lacquer hottie that has faded to a wonderful creme color. Very classy. 10-12-14-16ft-24 in power sizes. Gettin' my 80's groove on the right way!!
I'm not running the 10" tom at the moment. I'm running a Larry Mullen Jr.-style set up with the 12" up and the 14" off to the left of my hi-hat. Very fun. I know that her age doesn't make her truly vintage, but at 20+ years old, she's been around the block a few times! :D
[IMG]http://i21.photobucket.com/albums/b273/ryanculberson/Photo0379.jpg[/IMG]
And here trying to tap into some Newmark vibe on the gig...
[IMG]http://i21.photobucket.com/albums/b273/ryanculberson/CopyofPhoto0423.jpg[/IMG]
Cheers,
Ryan