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Supra v. Super Sensitive: what's the dif?

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I've never had the pleasure of playing a Supra and a Super Sensitive next to each other. To my Ludwig expert buddies: What are the main differences in sound? (I do know their snare systems are different. That much I know! :p )

And, of course, I'm talkin' 'bout models from, say, 1964-70....

Posted on 14 years ago
#1
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i can honestly say, having a supra, super, and acro....not too much. supra and super very close to each other, and tuned up you can get a nice crack out of an acro too.

30's Radio King - 26, 13, 13, 16
49 - WFL Ray McKinley - 26, 13, 16
58 - Slingerland Duco
58 - Slingerland Krupa Deluxe
70 - Ludwig Champagne Sparkle - 20, 12, 14
70 - Ludwig Champagne Sparkle - 22 (need), 13, 16
And some others..
Posted on 14 years ago
#2
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jp. that really is the difference it is the snare strainer system, the shells are basically the same, the year model your speaking of from the super sensitive stand point has 2 different strainer mounts,go with a 400-402 supra if you play electric music, rock, blues,country, IE anything moderate to loud volume, the super sensitive system is a pain in electric situations, this has been my experience, and have owned several super sensitives,i own one now, get a supra phonic, the most recorded snare drum on the planet

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 14 years ago
#3
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funny on the recording thing....my son went the studio this last summer to record and we brought our supra, when we got there, the sound engineer had a keystone supra ready to go, and the producer had brought his too.

30's Radio King - 26, 13, 13, 16
49 - WFL Ray McKinley - 26, 13, 16
58 - Slingerland Duco
58 - Slingerland Krupa Deluxe
70 - Ludwig Champagne Sparkle - 20, 12, 14
70 - Ludwig Champagne Sparkle - 22 (need), 13, 16
And some others..
Posted on 14 years ago
#4
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