Book check (freely translated summary)
- Looise & Vogel are engineers (no instruments yet) in Amsterdam
- Looise & Vogel made their first snare in 1944 after they'd made some parts for a Dutch drum building company.
- Van Wouw (imports Spanish guitars) came to Looise & Vogel (1945) with a Swiss Imperial snare and asked if they could make such a snare.
- Triumph snares were built for Van Wouw from that point onwards
- 1952: Van Wouw asked to stop production of Triumph drums. He had plenty in stock and sales dropped after governmental freeze of average Joe's spenditure after WWII
- This meant a drop in income for Looise & Vogel as well. And they started to built their own snares / drums: Royal was born.
- 1957: Van Wouw returns for a second period of Triumph production, although numbers were limited
- 1957- 1962: Both Royal and Triumph snares were built by Looise and Vogel in Amsterdam
- 1962: Van Wouw stops with sellings drums, and shifts back to importing guitars
About your snare:
Shell: 100% Triumph, based on the bead
Oddities: This snare looks as it was made for marching purposes, based on the hoops.
I've never seen such hoops on a concert snare. Marching snares usually were free floating (no lugs) and single tension. In addition: your type of shell usually had a sophisticated parallel snare mehanism. Yours is lacking this and the holes for it.
My guess would then be, that either this was a special order. Or (more logical) this was indeed a transition snare. They had some old snare shell blanks left from Triumph and turned them into Royal.
Question then is; was it after the 1st (post 1952) or the 2nd Triumph period (post 1962)?
Not sure: No clues for that:
-your badge is the first engraved version. However, it is not stated when they switched to the second printed version.
-in a later stadium (not sure when) Royal swithed from the mm sized drums to the normal 14" sized drums.
I hope this helps.
Cheers Wouter