One approach that I heard about years ago, was to

wet the calfskin and use dry tempra paint. I doubt that would work on a plastic head though.

I'll probably have to ask the webmaster with all the old drum info,.. he may know?

Or,...

Possibly look around in some books such as the history of Leedy or Ludwig??

1920's and 1930's era calf-skin heads were usually done using oil-based colors. Oil-based colors can be applied in thicker coats and allow for more saturated & vivid hues. Tempera is usually applied in much thinner coats since it dries so rapidly, and as such it often won't have the same vibrancy or saturation. Also, tempera usually doesn't work well when applied to flexible non-rigid surfaces. The only benefit that tempera offers over oil-based colors is that it resists fading very well, whereas oils tend to fade & can become transparent over time. Not saying that tempera couldn't be done or work, but odds are oils would be the better long-lasting choice.

Tempera would probably work better on synthetic heads though.

Jeff

I think the reasoning on dry tempra/wet head is that heavy oil paint would effect the sound more than color that was soaked in to the head. Seems also that they may have used templates and sifted the tempra powder lightly over it. (This could get expensive though if it didn't work. Might like to try a test piece..)

Here is an article that I remember from a few months ago from the arcadia web site.

It talks about the technique of painting and what to do to make it work.

David

Hey fellas!

Thanks a million for the info.

I couldn't imagine it would have been anything BUT oil paint, BUT, I'd rather ask then assume and screw up a head.

Thanks again!!!

Cool1