My Silver Sparkle Ludwigs. 14"x22" 16"x16" 8"x12" 9"x13", 6" 8" 10" 14" 15" 16" Concert Toms. I put rims on the 15" and 16" Concert Toms and have them on a low Tama double floor tom stand. Before, in the 70's I used the double clip stand in a snare base stand for them. I used all kind of different stand and mount configurations, but all the drums are original with no extra holes. I originally had a 1971 Hollywood African Mahogany kit and added the maple concert toms in 1974. So all those drums were 3ply with rerings, including the concert toms. That was my touring kit with "Cornelieus Brothers & Sister Rose" in 1977-78. In 1981 the original Hollywood kit and the 10" and 14" Concert toms were destroyed in a arson club fire. I replaced the destroyed drums with the same which unknown to me were now the 6 ply maple shells. So this existing kit is 1974 3 ply with rerings 6" 8" 15" 16" Concert toms and 1981 6 ply 10" and 14" Concert Toms, with the 1981 6 ply Classic drums in 22" 16" 12" and 13". I should have ordered the 14" as a 14"x14" floor and the 10" as a double headed tom, but I didn't realize at the time. kind of wild how it has all ended up.
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Ludwig 1974-81
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Posted on 9 years ago
#1
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Sweet kit !
Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 9 years ago
#2
Posts: 1342
Threads: 71
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A really beautiful drum set.
Posted on 9 years ago
#3
Posts: 5550
Threads: 576
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love silver pearl
April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp
once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp
once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 9 years ago
#4
Posts: 574
Threads: 32
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Very cool kit.
Cam
"If we can't be free we can at least be cheap" -FZ
Posted on 9 years ago
#5
Posts: 1461
Threads: 75
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Beautiful spectrum of tones from those sizes and the wrap says it all, especially under stage lighting!
Wayne
1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 9 years ago
#6
Posts: 2148
Threads: 177
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Nice nice nice and a lot of skins to hit...
Bop iT / Til U Drop iT.
ROGER's
1964 Cleveland,.18/14/12 in WMP
1966 Cleveland, 20/14/12 O'natural.
Fullerton,...20/16/13/12 Silver Glass
WFL
1957 B/R Super Classics In WMP
Snares..
Wood & COB Powertones,
Wood & COB Dynasonics,
57 Jazz Festival
Zildjian avedis cymbals.
40s/60s era.
ROGER's
1964 Cleveland,.18/14/12 in WMP
1966 Cleveland, 20/14/12 O'natural.
Fullerton,...20/16/13/12 Silver Glass
WFL
1957 B/R Super Classics In WMP
Snares..
Wood & COB Powertones,
Wood & COB Dynasonics,
57 Jazz Festival
Zildjian avedis cymbals.
40s/60s era.
Posted on 9 years ago
#7
Posts: 6432
Threads: 290
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I love it!
Thank you!
Jeff C
"Enjoy every sandwich" Warren Zevon
Posted on 9 years ago
#8
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