Important Web Site Pages
Important Web Site Pages
|
Vintage Drum Identification
|
Restoration and Help
|
Visit our Partner Web Sites
|
#31
|
|||
|
|||
![]() Quote:
Back in the day I had a re-sellers license and saw that many musical manufacturers had a simple "50/30/10" pricing scheme. That is, the price a retailer paid for an item was 50% off MSRP, if the invoice was paid off in 30-days and additional 10% discount was applied to the pricing (plus some incremental volume discounts). So, if I have an item with an MSRP of $100, and I paid $40 for it, then I put it on the sales floor for $100, it results in having a mark-up of 150% from what it cost me the retailer... But me being Generous Joe the retailer I decide to give you a break and provide a 20% discount off the MSRP, allowing you to purchase the item for $80... this still means I have made a 100% profit on the item. Is that egregious? It's easy to think you're getting ripped-off because that item on the floor just provided me with a 100% profit and I've got to be running to the Ferrari dealership with the profit. It's especially easy to think this when you merely look at one single item and don't consider the reality of gross and net profits. What does it cost me to run Generous Joe's musical instrument store for a given month? What's advertising, employees, insurance, lights/heating/AC, theft, etc. costing me? How much capital have I deployed into merchandise that may stay on the floor for months/years versus days/ weeks? I am not afraid to expend some energy in search of the lowest possible price for an item... I guess some would even call me a skinflint.. I like saving a buck like anybody else (maybe even more so), but at some point it has diminishing returns for my time spent in search of that discount. I guess the real point I'm driving at is that I don't begrudge somebody from trying to make a living... it ends up being pretty reciprocal when you shake it all out. |
#32
|
|||
|
|||
![]()
OK, here you go: UV2's were released for sale on November 1 this month. As to the price of heads, all my guy told me was, the cost of materials, manufacturing and labor keeps going up, so the retail prices do too. Pretty simple.
|
#33
|
|||
|
|||
![]() Quote:
![]() ![]() |
#34
|
|||
|
|||
![]()
This is why I don't buy new drum heads!
I buy most of my heads used from a local drum shop, I can usually find 13, 14 and 16 coated Ambassadors that are still in good condition for $5-10 each, depending on size. Sometimes a 20 or 22 for $15. I also keep a lot of used heads in my rehearsal room, I have coated and clear Ambassadors, black dots, pin stripes and a few from Evans and Aquarian. There's no need to change heads that often if you take care of them the same way you take care of your drums. |
#35
|
|||
|
|||
![]() Quote:
|
#36
|
|||
|
|||
![]() Quote:
__________________
Keep fixing them up... |
#37
|
|||
|
|||
![]() |
#38
|
|||
|
|||
![]() Quote:
![]() |
#39
|
|||
|
|||
![]()
I think the Remo coated Ambassador is the standard head for vintage drums because they are the closest to the old Weathermaster heads. Coated Diplomats, too. I've tried many brands and weights and never had any results that sounded as good as regular, coated Remos. If it ain't broke, don't fix it. Of course, I can understand using modern heads with modern drums.
__________________
"God is dead." -Nietzsche "Nietzsche is dead." -God |
#40
|
|||
|
|||
![]()
I might buy heads once every couple of years, so it isn't a big deal to me.
I hate buying Chinese made anything for many reasons. US made goods are typically better anyway, based on my experience. |
![]() |
Thread Tools | Search this Thread |
Display Modes | |
|
|