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Looking for info on studio kit.

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[Attachment: 120939]None of us are drum experts, so we are not sure if this is a kit still worth keeping(and keeping up in good shape) or if the space is better used for a newer kit.

Some of the hardware needs a bit of TLC, so the question came up, and we need to ask the experts! 18" and 20" bass drums and 3 toms. Metal snare drum of same brand.

I am sure it is easily identifiable, but the real question for us is: is it any good? Does drummers like it?

Grateful for any information.

1 attachments
Posted on 6 years ago
#1
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Those are complete junk. I need wood for the fire so I'll take em off your hands, box em up and I'll even pay for the shipping.

Complete schiza...like all German engineered products; BMW, Mercedes, Porsche, etc.

Stop stringing and tuning your instrument, make music now.
-fortune cookie

Vintage Drums:
1970ish Ludwig Standard Avocado Strata downbeat
1970ish Star Acrylic 22,12,13,16
1950’s Gretsch tympani 26.5
19?? Sonor roto-tympani 13x12
70’s Ludwig Standard alum 14x5 snare
90’s Arbiter Adv. Tuning 12x5 snare
90’s Ludwig blackrolite 14x5 snare

Modern Drums:
Erie Drums 1-ply sycamore shell kit 18,10,13
Erie 1-ply maple 14x5 snare
Tama S.L.P. Acrylic 14x6.5 snare
Posted on 6 years ago
#2
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Haha! Yes, they do seem to be very solid, and they are quite beautiful despite being 40+ years old( if the badge refers to the correct year.)

The "interesting" thing in a "working studio" is, how does a random drummer react to that being the studio kit? Most bring their own, but sometimes, for various reasons, late flights or laziness being 2 of them, people want to use a studio kit. So the question is about "likeability", really.

Mostly for jazz.

Posted on 6 years ago
#3
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I’m sure the Sonor experts on the site will chime in and give you more details than I can, but I know enough to say with confidence that your kit is quite valuable and should sound fantastic. The fact that you have two bass drums makes it versatile too, jazz players love the 18 in. Depending on your overall studio budget, you may even be able to sell it, buy a perfectly usable studio backup kit and have a good chunk of money left over for other studio needs. Just do some searching for Sonor Phonic Centennial...I think you may be surprised just how valuable they are.

Stop stringing and tuning your instrument, make music now.
-fortune cookie

Vintage Drums:
1970ish Ludwig Standard Avocado Strata downbeat
1970ish Star Acrylic 22,12,13,16
1950’s Gretsch tympani 26.5
19?? Sonor roto-tympani 13x12
70’s Ludwig Standard alum 14x5 snare
90’s Arbiter Adv. Tuning 12x5 snare
90’s Ludwig blackrolite 14x5 snare

Modern Drums:
Erie Drums 1-ply sycamore shell kit 18,10,13
Erie 1-ply maple 14x5 snare
Tama S.L.P. Acrylic 14x6.5 snare
Posted on 6 years ago
#4
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Allright! Thank you so much for that valuable information.

It absolutely looks like it is worth keeping, and also to keep in top shape.

Posted on 6 years ago
#5
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From Curioussoundguy

Haha! Yes, they do seem to be very solid, and they are quite beautiful despite being 40+ years old( if the badge refers to the correct year.) The "interesting" thing in a "working studio" is, how does a random drummer react to that being the studio kit? Most bring their own, but sometimes, for various reasons, late flights or laziness being 2 of them, people want to use a studio kit. So the question is about "likeability", really.Mostly for jazz.

Another reason for drummers using a house kit in the studio is that they may very well trust the engineer to know the gear and the room, so they will be confident that the engineer will get a great drum sound. While I normally bring several snares and my own cymbals, I do enjoy the sonic and creative production perspective of "playing from a different point of view," so to speak. Especially if the gear is sweet - like these gorgeous Sonors for instance!!

thejohnlec
Ohio Valley
Posted on 6 years ago
#6
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Yup, those Sonor Phonics are seriously well made drums with both great tone & projection. A little heavy to be lugged around the world on gigs IMHO, so what better place for them to live than a studio? There's a set of these in a bar in Casablanca that have probably been there since Manu Dibango played there in his hay day.I gigged on them for a 10 week stint & was more than happy. Here's some nice playing on a well tuned Phonic Bop Kit:

[ame="https://www.youtube.com/watch?v=J8nB2Ix4-7s"]https://www.youtube.com/watch?v=J8nB2Ix4-7s[/ame]

& another Phonic .The tone of these speak for themselves! [ame="https://www.youtube.com/watch?v=l2BMjanr-8A"]https://www.youtube.com/watch?v=l2BMjanr-8A[/ame]

1964 Ludwig Champagne Super Classic
1970 Ludwig Blue Oyster Super Classic
1977 Rogers Big R Londoner 5 ebony
1972/1978 Rogers Powertone/Big R mix ebony
60's Ludwig Supersensitive
Pearl B4514 COB snare ( the SC snare)
Pearl Firecracker
PJL WMP maple snare
Odds & Sods

Sabians, Paistes, Zildjians, Zyns, UFIPs, MIJs etc
Item may be subject to change!
Posted on 6 years ago
#7
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I gave always liked the sound of them. They record great!

Posted on 6 years ago
#8
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Very good drums. Keep them, I'm sure they track nicely.

Cheers.

Posted on 6 years ago
#9
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