[ame="https://www.youtube.com/watch?v=M1_6z9oqet8"]Charlie Watts "If It Ain't Got That Swing" - YouTube[/ame]
Charlie Watts "If It Ain't Got That Swing"
Thanks for that post V-more.
That was great!
Thanks for posting.
Red Ripple '70's Yamaha D-20 20b-12-14f
Piano Black Yamaha Recording Custom Be-Bop kit 18b-10-14f
Snares:
Yamaha COS SDM5; Yamaha Cobalt Blue RC 5-1/2x14; Gretsch round badge WMP; 1972 Ludwig Acrolite; 1978 Ludwig Super Sensitive; Cobalt Blue one-off Montineri; Yamaha Musashi 6.5X13 Oak; cheap 3.5X13 brass piccolo
Charlie is so modest!!
Cheers
1978 Ludwig Stainless 22-22-18-16-14-13-12 c/w 6-8-10-12-13-14-15-16-18-20-22-24 concert toms
1975 Sonor Phonic Centennials Metallic Pewter 22-16-13-12-14sn (D506)
1971 Ludwig Classic Bowling Ball OBP 22-16-14-13
1960's Stewart Peacock Pearl 20-16-12-14sn
1980`s Ludwig Coliseum Piano Black 8x14 snare
1973 Rogers Superten 5x14 & 6.5x14 COS snares
1970`s John Grey Capri Aquamarine Sparkle 5x14 snare
1941 Ludwig & Ludwig Super 8x14 snare
Good ol' Charlie...Yeah.
First of all, thank you for posting, vintagemore 2000! Charlie was and is one of my greatest drumming role models! In the sixties, I emulated his traditional grip just because I thought it was cool. No other reason. I still use it today. Mr. Watts has a way of "playing air" that not too many drummers have. His off beats are fantastic! Charlie knows way more than 4/4. His jazz drumming is extraordinary! Thanks again!
Brian
My oh my no wonder I like him so much the word feel is key here
Thanks Mark
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp
once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
That was super cool! Thanks for posting Mark!
Blaemire / Jenkins-Martin drums.
http://www.jenkinsmartindrums.com/
Charlie is definitely a special rock drummer, but unfortunately, that's all he is. Now i know i'm probably going to get a some flack for saying this, but...He's not a jazz drummer. He listened to jazz drummers because that's all there was at the time of learning his instrument, and knows a few things. He's got great chops, an awesome, unique feel, and has solid timing. His sound has also been a staple in the drumming world for many decades, but he's no technician. The good thing is that at least he admits it. Whenever my band plays some Stones, i always try and play with Charlie's feel, to the point of emulating his traditional grip and "paused in the air, hi-hat stick while he hits the snare" to get his sound. Cool interview and thanks for posting !
Cheers,
Rob
Rob , jazz for years has been and started out by playing with feeling try some fusion that’s the point it’s only gotten sophisticated in the last few decades
Gary
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp
once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
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