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Charlie Watts "If It Ain't Got That Swing"

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[ame="https://www.youtube.com/watch?v=M1_6z9oqet8"]Charlie Watts "If It Ain't Got That Swing" - YouTube[/ame]

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 6 years ago
#1
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Thanks for that post V-more.

Posted on 6 years ago
#2
Posts: 1427 Threads: 66
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That was great!

Thanks for posting.

Cobalt Blue Yamaha Recording Custom 20b-22b-8-10-12-13-15-16f-18f
Red Ripple '70's Yamaha D-20 20b-12-14f
Piano Black Yamaha Recording Custom Be-Bop kit 18b-10-14f
Snares:
Yamaha COS SDM5; Yamaha Cobalt Blue RC 5-1/2x14; Gretsch round badge WMP; 1972 Ludwig Acrolite; 1978 Ludwig Super Sensitive; Cobalt Blue one-off Montineri; Yamaha Musashi 6.5X13 Oak; cheap 3.5X13 brass piccolo
Posted on 6 years ago
#3
Posts: 5295 Threads: 226
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Charlie is so modest!!

Cheers

1976 Ludwig Mach 4 Thermogloss 26-18-14-14sn
1978 Ludwig Stainless 22-22-18-16-14-13-12 c/w 6-8-10-12-13-14-15-16-18-20-22-24 concert toms
1975 Sonor Phonic Centennials Metallic Pewter 22-16-13-12-14sn (D506)
1971 Ludwig Classic Bowling Ball OBP 22-16-14-13
1960's Stewart Peacock Pearl 20-16-12-14sn
1980`s Ludwig Coliseum Piano Black 8x14 snare
1973 Rogers Superten 5x14 & 6.5x14 COS snares
1970`s John Grey Capri Aquamarine Sparkle 5x14 snare
1941 Ludwig & Ludwig Super 8x14 snare
Posted on 6 years ago
#4
Posts: 771 Threads: 132
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Good ol' Charlie...Yeah.

Keep fixing them up...
Posted on 6 years ago
#5
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First of all, thank you for posting, vintagemore 2000! Charlie was and is one of my greatest drumming role models! In the sixties, I emulated his traditional grip just because I thought it was cool. No other reason. I still use it today. Mr. Watts has a way of "playing air" that not too many drummers have. His off beats are fantastic! Charlie knows way more than 4/4. His jazz drumming is extraordinary! Thanks again!

Brian

Just a drummer who loves all things about vintage drums! Nothing more, nothing less.
Posted on 6 years ago
#6
Posts: 5550 Threads: 576
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My oh my no wonder I like him so much the word feel is key here

Thanks Mark

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 6 years ago
#7
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That was super cool! Thanks for posting Mark!

"Failing to prepare, is preparing to fail". John Wooden

Blaemire / Jenkins-Martin drums.

http://www.jenkinsmartindrums.com/
Posted on 6 years ago
#8
Posts: 1880 Threads: 292
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Charlie is definitely a special rock drummer, but unfortunately, that's all he is. Now i know i'm probably going to get a some flack for saying this, but...He's not a jazz drummer. He listened to jazz drummers because that's all there was at the time of learning his instrument, and knows a few things. He's got great chops, an awesome, unique feel, and has solid timing. His sound has also been a staple in the drumming world for many decades, but he's no technician. The good thing is that at least he admits it. Whenever my band plays some Stones, i always try and play with Charlie's feel, to the point of emulating his traditional grip and "paused in the air, hi-hat stick while he hits the snare" to get his sound. Cool interview and thanks for posting !

Cheers,

Rob

Posted on 6 years ago
#9
Posts: 5550 Threads: 576
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Rob , jazz for years has been and started out by playing with feeling try some fusion that’s the point it’s only gotten sophisticated in the last few decades

Gary

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 6 years ago
#10
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