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ANY ADVICE... Preparing for our first time in a studio.

Posts: 1971 Threads: 249
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One of my band-mates is getting a day in a studio as a Christmas present from his girlfriend.

This will be our first experience doing "real" recording... pretty excited but a little nervous.

I'm planning on playing my Rogers Tower kit.

What else should I take with me? Do you take extra gear in case the sound just doesn't seem to be right... different cymbals..maybe a metal snare.. even a different sized kit, a variety of dampening stuff towels, pillows, moon gel?

JUST LOOKING FOR ANY ADVICE to make the most of this...The Band

Not a Guru... just interested..
Posted on 7 years ago
#1
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If it's not a hassle to bring extra snares and cymbals, do it. Better to have it and not need it than to need it and not have it.

You may want to check with the studio in advance to see if they have a house kit. Of course, we'd all like to use our vintage gear, but if their kit is dialed in, it will save time. If time is wasted, let it be on account of someone else. I recorded a few months ago: I had a set of Slingerlands in the car, but the studio kit was fine for what we were trying to do.

Here are the most important things:

For you, make sure any gear you bring is in tune and in working order. Oil moving parts (pedals especially) and seriously consider fresh heads.

For your band, have a plan and be well-rehearsed. For a one-off session such as this, the studio is not a place for practice or jamming. Be aware that the engineer may wish to track final vocals separately, so time spent on basic tracks cuts into the time for overdubs.

Despite all of the above, relax and have fun. Don't overthink it: it should be like a successful rehearsal, except with a bunch of extra mics.

Al

9x Slingerland New Rock 50N 12-13-16-22 with 170 (Super S-O-M) holder
• 1979 Oak
• 1978 Blakrome + 6.5x14 TDR SD
• 1977 Black Diamond Pearl + 5x14 SD (gold badge, Rapid strainer)
• 1976 Black Cordova
• 1975 Silver Sparkle + 5x14 SD (Rapid strainer)
• 1974 Chrome + 5x14 COB TDR and 6.5x14 COW Zoomatic SDs
• 1973 Purple Sparkle
• 1973 Phantom (clear)
• 1971 Walnut (gold badges) + 5x14 TDR SD
1x Rogers Powertone Londoner V 12-13-16-22
• 1972 Butcher Block + 1979 big R Dynasonic SD
Posted on 7 years ago
#2
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Be well rested. Except perhaps for those who are old hands, it consumes a good deal of energy. Be prepared to be very patient, as well. Depending on the overall setup and the engineer involved, it can take a long time to actually get to the point where you do a take. If possible, be able to see your bass player and the lead singer. Sometimes they put you in different rooms and you get a bit disconnected as a result. Sometimes there are windows and that helps. Try to avoid letting them set you up looking at a wall!!

Enjoy!

Posted on 7 years ago
#3
Posts: 5550 Threads: 576
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Bring a few snares for some reason they sound different recording then live just my take on it , break a leg gary

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 7 years ago
#4
Posts: 5356 Threads: 87
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Jim no good advice here but hope you have fun and enjoy recording! Please share with us when you can later after it's finished.

Glenn.

Not a guru just havin fun with some old dusty drums.
Posted on 7 years ago
#5
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That's a neat gift. Are you recording Zeppelin style, as in full band together, no click?

For an alternate, reliable snare I'd bring an acrolite snare drum if you have one.

Posted on 7 years ago
#6
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There's lots of great advice here.

In my experience the engineer is going to want a nice clean dry sound. Get or make a sound dampening ring for your snare like was discussed here a couple weeks ago. If you have an old head cut it out more or less where it hits the bearing edge then cut out the middle so what is left is two or three fingers wide all the way around.

Bring a feather pillow for your bass drum.

Have a great time.


1971 Ludwig Rock Duo set in Blue Oyster Pearl
early Mapex dual bass drum Saturn kit
1964 Leedy Ray  Mosca kit in Blue Sparkle
1959 Slingerland Super Gene Krupa snare in WMP
1968 Slingerland Hollywood Ace Snare Drum
1969 and 1977 Ludwig 400 Supraphonic snares
1965 Acrolite snare
Ludwig Coliseum snare
'68 Rogers Dynasonic snare
Pearl free floating piccolo snare
13" Mapex piccolo snare
6.5" deep Mapex steel snare
Mapex 6.5" Brass snare
I know there's more snares than that.
UFIP cymbals / Avedis Zildjians
Ghost pedals or Tama King Beats
you kids get off my lawn

 

Posted on 7 years ago
#7
Posts: 195 Threads: 6
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Bring a roll of Gaffer tape with you aside from the obvious sticks, drum key, etc. Definitely oil moving parts (pedal, hat stand if required) beforehand. Have everything tuned. spare snare head, wires (and straps/cord!) is handy just in case. As is a spare pedal if you've got one. Anything that might fail and cost you time is a risk and should have a backup if possible. Bring more cymbals or snares if you've got them but don't stress if you've only got one rig. A towel is good for drying hands between takes if your hands sweat up a bit, also can pad out a drum throne that's a bit firm or muffle down a bass drum from outside the batter head if needed. Relax, don't take yourself too seriously while it's going on and enjoy it.

Posted on 7 years ago
#8
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Great thread. Doubt I'll ever see the insides of a studio. Only thing I can think of is if hauling gear in this cold weather get there early and let it reach inside temp in the lobby/waiting area. Check tune.

Same as any new journey. If something was forgotten didn't need it anyway.

As stated just have a great time and consider this a practice run.

Wonderful present to give.

Creighton

Nothing special here but I like them.
Posted on 7 years ago
#9
Posts: 1971 Threads: 249
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Ok... awesome! Putting together a checklist. Sounds like we may be in separated rooms. So I guess the click track will come into play. This is going to be tough. There is a lot of communication that occurs by us all looking at each other while we play. I never play a song exactly the same twice in a row. Well we got two months to get ready for our ten hour session... goal is no less than three songs on the track. Maybe I can sneak a real pro in the back door since the rooms are separated. :)

Not a Guru... just interested..
Posted on 7 years ago
#10
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