I also just wanted a discussion on how, if any, an artist playing a vintage set affects value.
I mean I think if a drummer for a really popular band like the Roots, Questlove, is playing these every evening on TV, that should raise the profile of the drums.
WMP Slingys are sought after because Buddy played them. He also played sky blue pearl slingerlands. People are always looking for another 16" floor tom to get the Buddy set.
Istanbul K cymbals are always going up because Tony Williams and other great jazzers played them.
Ringo.. Almost every high-profile drummer has caused an increase in value of the drums they played. I just thought it might be nice to explore the possibilities of value fluctuations in regards to non-usa Vintage drums, and try to guess which ones will increase in value over time. Recording Customs definitely have held and increased in value, not quite to their original retail pricing but close. Steve Gadd and several other drummers played them.
There's a distinct relationship between types of drums and the famous artists who played them. Amber Vistalite is a common vistalite color just behind Clear and blue. Yet they're worth much more because Bonham played them. Same with Black oyster Ludwigs. Ringo played, everyone wants them, but Ludwig produced tons of 'em, still prices keep going up.
I'm sure some artists played Sonors. I know Jack DeJohnette, Steve Smith, and Danny Carey among others play them, not sure how that effects value.
Gretsch RB drums were played by Max Roach, Tony Williams, Art Blakey, etc.
There's a distinct tie-in. I'm not trying to create a tie in where there is none, I'm just looking at the info that has come about. Questlove's playing a Yamaha set, 12/14/20 sizes, and he has a sizable fan base. And they aren't that common, but if more people are hunting them down, they will increase in value.
They weren't even on the map for me a month ago. I think yamaha may have been the first Japanese drum company to come out with pro-grade shells, and soon were followed by Tama and Pearl. it wasn't long before they were literally crushing Ludwig Rogers Slingerland and Gretsch, all of which suffered in the 80s from the importation of fine quality Japanese drums.